See How a Quilt Design Evolves–The Many Faces of “Heartstrings” + Giveaway

Quilt-J:  Original Heart Strings Quilt

Quilt-J:  Heartstrings featured in The Quilt Life1-Giveaway IconNot so long ago I spearheaded a group project for a member of my quilting/dining group–she’d lost her mother and we wanted to give her a quilted hug. It was such a beautiful shared experience that I wrote about it for the February 2012 issue of  The Quilt Life and called the quilt Heart Strings.

 The Other Faces of Heart Strings 

Some time after that, our original SHWS quartet of Christie, Darra, Laura, and I made another version of Heart Strings for our very dear tech-savvy blog helper Michelle. She had had to say good-bye to her mother after a lengthy illness and we wanted to gather her up in a big group hug. It’s difficult to discern from a distance, but Heart Strings #2 is embellished with a stitched tree and flitting hummingbirds, the deft handiwork of long-arm quilter Marla Monson

Quilt-J:  Heart Strings hanging at Quilting in the Garden

Heart Strings #2 featured in the 2012 Quilting in the Garden exhibition, Livermore, California.

Then, just this year, as I was reading the June 2014 issue of The Quilt Life, I found a Letter to the Editor from a reader named Carol Findling who wrote about making a version of Heart Strings with her group for a friend who needed support after losing a daughter. They finished their version in three weeks to surprise her:  Heart Strings #3.

Is there more? Of course. My buddy Cyndy Rymer and I share more than a love of quilting, we also share a gynecologist:  a rare and wonderful physician who dropped the obstetrics end of the business to focus on women of a certain age. I don’t know how many locals she’s pulled from the brink of hormonal madness and other malevolent afflictions, but the numbers are legion and our admiration for her is profound and enduring.

Well, the sad news is that sometimes even healers need healing. She’s closing her practice to undergo intense cancer treatment. Cyndy and I cannot sever our connection to her without expressing our love and heartfelt wishes for her recovery. What else can we do but make her a quilt imbued with positive, healing thoughts?

Quilt-J:  Final stages neutral Heart Strings

Almost done: Heart Strings #4.

Before I stow my damp and crumpled Kleenex and finish today’s theme, I’d like to share one more thought about heartfelt quilts. Sure we make many celebration quilts, but we also make them for poignant reasons. As I tackled this post I was finally able to verbalize the reason I take on these quilts: I want that someone to know that he or she matters! How simple is that?

A Variation on the Heart Strings Theme

1.  Cyndy and I worked on the original Heart Strings and we knew it would work for us, but, to change up things, we went neutral. And, wouldn’t you know, Cyndy just happened to have a stash of unfinished neutral blocks in her UFO pile. We were halfway there without even trying!

Quilt-J:  Neutral Heart Strings

2.  Rather than a string of hearts, we opted for roses for the finishing detail. I turned to one of my own designs, Radically Ruched Roses.  This time I went for a fused spiral rose  rather than ruching bias strips to make the spirals–ruching isn’t fodder for a quickie quilt! After my recent Quilt-Along fusing frenzy it was an easy decision. Head’s up:  Radically Ruched Roses is available as free a downloadable pattern in our Pattern Library!

Quilt-J:  Madly Mod Rosie

3.  The leaves and stems also derive from Radically Ruched Roses–turns out I, too, had leftovers to donate to our cause. I pinned the strips in gentle waves and, before gluing them in place, I auditioned a layout of blossoms and leaves.

Quilt-J:  Neutral Heart Strings Draft Layout

4. Did you notice that the top was layered and quilted before we added the flowers and greenery? Cyndy loaded the quilt onto her long-arm machine and chose a simple floral motif for background quilting.

Quilt-J:  Neutral Heart Strings in Process

5.  Back to the stem strips:  Glue-Baste-It!  Laura recommended the product and it’s a dream for securing the applique pieces before finishing with stitches. I finished the edges with decorative stitches along the outer edges of the stems to give them a slightly thorny look. Then, Cyndy reloaded the quilt on the long-arm and stitched the leaves and roses to the top. The jury is out on whether or not that was a good idea–it wasn’t as much fun as she’d hoped. FYI:  The roses are dimensional appliqué (with an additional thin layer of batting on the back) and the spirals are top stitched.

 

6.  I’ve got the label affixed, stray threads trimmed, and so I think we’re ready to send out our healing quilt.

Heart Strings #4: yes, that is a spaniel sculpture--he wanted to be featured in the photo too! He's supposed to live in the garden as a remembrance of a very dear dog, but this guy likes the hearth.

Heart Strings #4: yes, that is a spaniel sculpture–he wanted to be featured in the photo too! He’s supposed to live in the garden as a remembrance of a very dear dog, but this guy likes the hearth.

Giveaway Details

I happen to have full-color reprints of the Heart Strings article and pattern from The Quilt Life and I’d be happy to share 3 copies with our readers. Leave me a comment by Thursday, July 24 and I will name the winners in my Friday post. Here’s your prompt:  Have you made a heartfelt quilt? Do tune in on Friday for a special edition cuz a seasonal fave will be flying in!

J-Signature

 

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Take a Break Tuesday!

images (2) Laura is taking a much needed rest after all of the wedding festivities.

In the mean time, I have been busy finishing my Wool Blossoms Pillow. Interested in few tips and tricks with hand embroidery? Visit my blog, Pati Fried where I share my first attempt with embroidering wool applique’.

Finished Pillow

Laura will be back on Friday. Have a good week!

Signature Cropped

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Wool Blossom Pillow – Taking a Side Trip with Wool Applique & an Accent Pillow

While working on the original design for our Quilt-Along, Blackbirds & Blossom, Oh-La-La! we got excited about all the possibilities for small projects utilizing the quilt’s design elements. Laura thought a little wool project would be wonderful to try. I’ve been collecting wool scraps and thought this would be an ideal opportunity for me to explore wool applique. I volunteered and I’m so glad I did!

Jennifer showed a fabulous way of showcasing the center wreath in a mini project last month.  Here is my chance to utilize the design motif of the side panels in a wool applique accent pillow that I call “Wool Blossoms Pillow”.

Wool Blossom Pillow - Choose your fabrics

The first step was to sketch my design and choose a color palette and fabrics. I discovered a yummy raw silk that was screaming to be the canvas for all my wool. Since I really didn’t know what I was doing, it seemed less daunting for me to tackle the vine first, then move on to the flowers.

Wool Blossom Pillow - Draw out vine shape

I sketched out the vine design directly onto freezer paper, matte side up.

Wool Blossom Pillow - Draw in Sweeping Motions

Here is a hint:  when drawing curves, do it in a sweeping motion. I like to think of my arm as a giant compass, with the stationary point being my elbow for large circles, and my wrist for small circles.

Wool Blossom Pillow - Mark where your can splice

Since the flowers will be covering many portions of the vine, I gave myself hash marks to break the vine into smaller sections. This is especially helpful when working with small amounts of wool that you don’t want to waste.

Wool Blossom Pillow - Cut your pieces

Iron the shiny side of the paper to the wool. Being a wool newbie, I was a little nervous about taking an iron to it. I used a very quick press and no steam, just enough heat to adhere the freezer paper. In retrospect, a pressing sheet would be useful, but it seemed to work fine without one.

Wool Blossom Pillow - Iron onto wool

Trim out the vine shapes. Another helpful hint: mark your shapes and the direction they will meet up to each other. I didn’t–ugh!

Wool Blossom Pillow - Cut Panel

Trim your canvas panel–oh goody, back to that raw silk!!! I cut my panel over-sized and will trim it afterwards. My final pillow is to be 10 x 14 inches and so I added a few inches to each side.

Wool Blossom Pillow - Glue baste

If you are a pinner, now is your time to shine. Use tiny pins and pin often. Since I am not a pinner, I got out my trusty bottle of Roxanne’s Baste it Glue and dabbed just enough to adhere my pieces. It’s best to keep the edges free of glue. You will thank me when you whip stitch your pieces into place. 

Wool Blossom Pillow - Layout

Back to the freezer paper to create blossoms and leaves. In keeping with the improvisational process of our Quilt-Along project, I simply cut out a variety of circles and leaves  and “played” with where to place them on my vine. As we mentioned in the Quilt-Along instructions, layering, variety, and balance are the keys to a interesting design.

Wool Blossom Pillow - Audition fabrics

After deciding on a layout, I auditioned different colors of wool. My leaves were mostly the same green as the vine, with a few yellow and dark greens thrown in. The flowers were a dark red, orange, rose, purple, teal, very light green, yellow,  and ivory. Don’t ask how I came up with that. I just rummaged through my stash!

Wool Blossom Pillow - Glue baste flowers in placeI loved my design!!!

Wool Blossom Pillow whip stitch

Next, I whip stitched it into place with a matching, fine embroidery thread.

Oodles of thread

Then pulled out my crazy collection of threads that I use for Big Stitch projects and started choosing colors and weights that would work for some hand embroidery work.

Wool Blossom Pillow - add some embroidery

Did I mention I don’t normally do embroidery? Well hop over to my personal blog, Pati Fried’s Blog in a few days and see what I came up with for finishing this Wool Blossom Pillow!

Have a wonderful week and happy stitching!

Signature Cropped

 

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Quilt-Along Panel 2 for Blackbirds & Blossoms Oh-La-La!


                                         Panel 2 (A) applique  Panel 2(B) applique

We are halfway done with round 2 of our Quilt-Along, Blackbirds & Blossoms Oh-La-La! I hope you are having as much fun as we are with this project. In case your haven’t realized it yet, this quilt was designed to help embrace your own style and creativity. Use us as your starting point, then let your own ideas lead the way!

Haven’t started yet? It’s not too late! All the instructions are listed in the Patterns Page  Come on, join in the fun!

Panel 2(A) cropped

Side Panels 2(A) and 2(B) give you even more opportunity for you to “play”. Your fabric choices will help determine the flow of your final layout. If there are dark or busy fabrics, balance them by calmer or lighter fabrics as their neighbors. If they are too busy, try layering to add or remove interest. Remember, variety, variety, variety!

Panel 2 (A) appliquePanel 2(B) applique

Panels 2(A) and 2(B) are designed with a bit more layers and blossoms. All supply lists, cutting instructions and how-to’s, can be found on the Side Panel Info Sheet and the panel 2(A) and 2(B) appliqué sheets. Let’s get started!

Panel 2(A)         Panel 2(B)

And that my friend, concludes round 2 of our Quilt-Along! Be sure to share photos with us on our SHWS Facebook page and I will pin them to our Quilt-Along Pinterest Board!

If you would like a few tips on raw edge appliqué, hop over to my website to read my rants on how I worked through my fear of this technique: Confessions of a Veteran Quilter.

Still not wanting to commit to the whole project? On Friday, I will be showing you a weekend project that I have been working on that uses all of the techniques in a simple wool appliqué project. It is so fun!!!!!

See you Friday!

Signature Cropped

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Lessons from the Mother of a Pinterest-Mad Bride-to-Be

My friend passed these along to me now that her wedding planning is behind her.

My friend passed these along to me now that her wedding planning is behind her.

 

Ahh, Pinterest: Is it a blessing or a curse? Events seemed so much easier thirty years ago when I was planning my wedding. When I looked for ideas and inspiration I simply purchased the current bride/wedding magazines to see what was in vogue. Today, with the popularity of Pinterest, the online pinboard, there are virtually thousands of photos arranged into categories. One can easily get lost for hours browsing through all the images.

My daughter is a very hands-on kinda gal and wants this event to reflect her creative esthetic. Her attention to every detail is admirable, but from my point of view, can be a bit daunting. I trust everything will be lovely and her hard work will yield a wonderful day filled with all the love and good wishes from her family and friends.

There are so many books and websites providing advice, but thought I would share a few lessons I’ve learned over the past several months. I hope they might be of some help for any of you who might soon be walking down this path.

  1. Start early. It’s never too soon to get started on those projects. Seems like the to-do list gets longer rather than shorter as the date approaches.
  2. Get organized and make check lists. It’s too easy to let some of the important details fall through the cracks.
  3. Don’t assume. Communication is important, right at the starting gate. Things have changed as far as who covers the expenses. Both the bride and groom need to talk with their respective parents and be clear on what the budget and/or contributions will be. This can avoid lots of confusion . . . trust me on this one.
  4. Lots of love and support. I had to constantly remind my self that this is not about me. I have had my day in the sun. I have learned to smile and keep many opinions to myself.
  5. Stay focused and have fun.  With many projects brewing all at once it can easily become overwhelming. A little down time, lively music or favorite movie playing can lighten the day.
  6. Don’t be afraid to ask for help. In our case, we invited the mother of the groom to help with some of the projects. Fortunately she lives nearby. Not only was she a huge help but brought us closer together and made her feel like part of the event.
  7. DSC03382On a personal note, this little bottle has been a miracle worker.  My nails have not looked this good since I was taking pre-natal vitamins, some 28 years ago ; ).  And finally, SPANX! Need I say more?

That’s it for today. I’ll be back next month, hopefully sharing some lovely photos. As always, thanks for being here.

L1-Signature

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Quilt-Along Mini Project: Tiny Wreath + Birds = A Quilted Picture!

Quilt-J:  Quilt-Along Mini Project

There’s nothing like a deadline to stimulate my brain cells. Last week I had to devise a birthday gift for a dear friend and, lucky for me, I had both time at my disposal (a couple hours for a few consecutive mornings while a contractor worked at my home) and I had a handy box of scraps from our Blackbirds & Blossoms Oh-La-La Quilt-Along.

Since my birthday buddy quite liked the wreath I made for the center block of the Quilt-Along, I decided to design a scaled-down version and work out some of the construction ideas that I rushed through the first time around. Now I’m not going to supply detailed instructions here, I riffed on the process and I think you’ll be able to as well. (Click here for  the instructions for the original wreath block.) I started with a square of linen about 12 x 12 inches. The wreath base is 8 inches in diameter and about 2 inches wide.

Quilt-J:  Quilt-Along Mini ProjectFirst, I auditioned my floral scraps and trimmed some circles to more appropriate sizes for the reduced scale of the wreath.

Quilt-J:  Quilt-Along Mini ProjectThen I removed the blossoms and worked on the layout of the greenery. (I didn’t change the leaf sizes or the stem widths from the original instructions.) Once I decided on the layout, I fused the greenery and added stitched details with variegated green thread.

Quilt-J:  Quilt-Along Mini ProjectBack to blossom placement:  Turns out I had some empty spaces once I replaced the flowers and so I had to find a design solution.

Quilt-J:  Quilt-Along Mini ProjectNo worries there, turns out the perfect answer was sitting in my stash: an Echino bird print from designer Etsuko Furuya. I added decorative stitches once all the remaining pieces were fused into place.

Quilt-J:  Quilt-Along Mini Project

Now I wanted this little quilt to look like a piece of wall art–a drawing surrounded by a white matte– so I had to build the quilt sandwich very carefully to retain the flatness of each layer. I adapted some of Darra’s techniques from her clever postcard quilts.

I sewed 3-inch white linen border strips to the wreath block (side to side, then top and bottom); stay stitched raw edges; trimmed and rolled up all stray threads; and then fused the bordered block to a relatively stiff interfacing.Then I fused the backing fabric to wool batting and fused that layer to the interfaced layer. I finished the quilt with the faced binding and anchoring corners you see above.

Quilt-J:  Quilt-Along Mini ProjectThat’s a detailed view of the finished front–my goal was a pared down, clean-lined look.

Quilt-J:  Quilt-Along Mini ProjectHere’s the birthday label:  if I’d actually thought ahead, I would’ve stitched the label to the backing before I fused all the layers together for a more polished finish. Oh well!

Quilt-J:  Quilt-Along Mini ProjectHere ya go:  a slighted crooked image of the finished mini wreath quilt. It’s about 20 x 20 inches.

Giveaway Winners Here!

Wow! Yoko Saito adoration is spreading . . . I love the enthusiastic reception for her pattern line and I’m certain World Book Media is happy as well to hear such positive reactions from fans. The winners are Judy C., Jane from MA, Julie Boster, Jacqueline, and Kay. Congratulations all! Do share photos of your handiwork!

J-Signature

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Yoko Saito Redux: English-Language Patterns Available Now + Giveaway!

Inspiration-J:  Summer Flowers

Happy summer solstice (a little tardy). My parents celebrated their 68th anniversary on the 21st–holy guacamole that’s a lonnggg shared history! Felicitations to all those June brides and grooms!

1-Giveaway IconLooks like I’m not the only Yoko Saito fan in search of English-language versions of her patterns. (BTW:  Here’s the link to my earlier Yoko Saito post.) World Book Media out of Salem, Massachusetts has entered the market with a Japanese Quilt Artist Series pattern line (translated into English) featuring Yoko Saito for their debut as well as Zakka Workshop projects–quick and fun scrap-friendly projects made in mere hours. Both product lines are available at World Book Media’s Etsy site.

Let’s take a look at the Yoko Saito quilt pattern fare:

Patterns-J:  Joko Saito Series

Would you like to see more?  Here are my top 2:

Love, love, love this pattern!

Love, love, love this pattern!

Yoko Saito creates evocative designs with such simple touches like outrageously perfect fabric choices. Also, her simple quilting motif enhances the blossoming cherry trees and stars without being overwhelming.

That melting snowman featured below is so charming and just a little poignant. (Plus she finds yet another perfect venue for her bare trees fabric.)

Isn't this the cutest winter mini quilt?

Isn’t this the cutest winter mini quilt?

The remaining trio of patterns are fun projects for personal use and home decor. The Afternoon Tea Mats pattern makes me laugh for the eccentric use of language–short . . . cake maybe?

Pattern-J:  Yoko SaitoPattern-J:  Yoko SaitoPattern-J:  Yoko Saito

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Giveaway Details

I’m looking for 5 winners this week. Yup, 5! No guarantees which pattern you’ll receive.  Random drawing, random numbering on the patterns as well. Leave me a comment by Thursday, June 26 and I will announce the winners in my Friday post. Answer this question: Given the opportunity to win a pattern, would you go Yoko Saito neutral or color mad?

On Friday I’ll be featuring a small birthday project I adapted from the center wreath block of the Quilt-Along: Blackbirds & Blossoms Oh-La-La! I hope you’ll stop by and find inspiration!

J-Signature

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Gwen Marston Retrospective at See How We Sew + Giveaway Winner

Quilt-J: Gwen Marston Quilt Featured in Minimal Quiltmaking

“Turquoise” 41 x 45 inches, 2013, by Gwen Marston.

Hello dear readers! Gwen Marston is always a hit when we feature her at See How We Sew. Today we’ll take a look at more quilts from her latest AQS title, Minimal Quiltmaking, and revisit past posts about Gwen written by our blogging sister Darra. Gwen and Darra have been both friends and collaborators for years. In fact, Darra’s skilled editorial hand can be experienced in a number of Gwen’s quilting books. Keep scrolling to find the name of the lucky winner of Minimal Quiltmaking.

Throwback Posts

Darra gave us a peek into Gwen’s creative process back in February of this year in The Latest from that Amazing Quilter Gwen Marston.

And, before that in 2012, Working in a Series Gwen Marston and 37 Sketches.

 

Quilt-J:  Gwen Marston Quilt Featured in Minimal Quiltmaking

Minimal in Neutrals, 35 x 35 inches, 2012, by Gwen Marston

Giveaway Winner

And the winner is, Kathy in Florida–Congratulations! Many thanks to Gwen Marston for her continuing support of See How We Sew. Perhaps she’ll return for a visit soon?!? I hope so!

Final thoughts from Jennifer:  I’m taken by Gwen’s works of quilted art.  Can’t you just see these painting-sized quilts adorning the walls of a modern art museum? What if we started a grassroots movement to persuade our fine arts venues to open their galleries to our textile arts? Just a thought . . . we’ve got our Studio Art Quilters and any number of other art quilt groups. Time to come out of the shadows and into the limelight with the rest of the artsy crowd!

J-Signature

 

 

 

 

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Gwen Marston Drops By to Share Minimal Quiltmaking (+ a Giveaway!)

We’ve got a special treat today at SHWS:  Gwen Marston is in the house! Yup, she’s going to review her latest and greatest quilting title, Minimal Quiltmaking. Sure, it’s unorthodox having an author write her own book review, but why not? She’s Gwen Marston and she’s super fabulous! Scroll to the end of the post for giveaway details–here’s a hint:  enter to win a copy of her new title.

Hello everyone! I’ve been invited to write a review of my new book Minimal Quiltmaking so let me say right upfront: it’s going to be very favorable!

Book-J:  Minimal Quiltmaking by Gwen Marston

It’s always a thrill when I get to see a just-off-the-press copy of my latest book for the first time. In the case of my most recent book, Minimal Quiltmaking (AQS Publishing, 2014), I couldn’t have been more pleased. Reviewers are calling it “beautiful” and I have to agree.

I’ve always been the “less is more” girl, preferring straightforward, uncluttered design so keeping it simple, aka minimal, is my natural default setting. This book includes both examples of my early minimal work and more recent pieces as well. It also includes the exciting work of twenty-two contemporary quilters (some are also quilt teachers) from across the country. I was so very pleased to be able to include their work in my book because it adds an indispensable flavor that makes it all the more tasty.

The book (95 pages, $24.95) has lots of full-page color pictures of the quilts and is packed with design and construction tips on how you can make your own original quilts without patterns using my “liberated”, intuitive, free-pieced methods. So, let me show you some of the quilts in my new book.

Discovering Lancaster Country Amish quilts in the early 80’s set me off on a virtual tangent of making quilts in that style as a way to understand the Amish sense of design and use of color. It also taught me the value of working with solid fabrics, which I’ve continued to do to this day.

ONE PATCH, made in 1990, was the first in a series of thirteen minimal quilts, all shown in the book, inspired by the Scottish architect Charles Rennie Mackintosh (1868-1928).

Quilt-J:  Gwen Marston's Quilt One-Patch from Minimal Quiltmaking

I have a chapter about Hard-Edge Quilts, inspired by a California art movement from the 1960’s called “hard-edge painting”. MINIMAL COMPOSITION is in that chapter.

Screen shot 2014-06-11 at 4.48.18 PM

I talk about the process of designing minimal quilts, how to apply the principles of minimal art to create your own distinctive work, and give suggestions on where to find inspiration for working in this style.

And to whet your appetite, here is a small sampling of the stunning quilts made by made by contributing quilt artists included in the book.

Quilt-J:  Split Cherry by Marjorie Tucker in Minimal QuiltmakingSPLIT CHERRY, by Marjorie Tucker, from Boston, Mass, and MINIMAL PURPLE, made by Kristin Shields, from Bend, Oregon, are both contemporary quilt artists and teachers who have their own style and definitely know what they are doing.

Quilt-J: Minimal Purple by Kristin Shields in Minimal QuiltmakingI hope you enjoy the book as much as I did writing it. Carry on! GM

Giveaway Details Here!

Leave a comment by Thursday afternoon, June 19, answering the question:  What’s your quilting pleasure:  less is more or more is more? I’ll announce the winner of an autographed copy of Minimal Quiltmaking by Gwen Marston in the Friday post. We’ll also take a look a more quilts from Gwen’s new title and revisit retired blogging sister Darra’s past posts on Gwen’s quilting style.

See ya!

J-Signature

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Time for Quilt-Along Panel 1- Blackbirds & Blossoms, Oh-La-La!

Panel 1(A) applique'Panel 1(B) applique'

It’s time for the next step of our Blackbirds & Blossoms Oh-La-La Quilt-Along! I’m hoping you’ve had lots of fun working on the center wreath over the past few weeks.

Panel 1(A) When Jennifer handed off her beautiful center block to Darra and me for the second round of our Quilt-Along, we decided to create whimsical vines on our 4 side panels. Darra had a sketch that we both agreed would be the stepping off point for the 4 panels. Sketch The first 2 side panels, Panels 1(A) and 1(B), are minimal in design, while the panels we will cover next month, Panels 2(A) and 2(B), are more layered and bursting with blossoms. The design process is outlined below. Links you will need: use the Patterns tab for instructions on the side panels, leaf and circle template and panel 1(A) and 1(B) appliqué sheets as reference for the shape of your vines. Also, refer to the split leaf tutorial for a decorative leaf.

Let’s start with the minimal designs first, Side Panels 1(A) and 1(B).

 Panel 1(A) applique'     Panel 1(B) applique'

I urge you to play with your fabrics and shapes to create your own original design that plays well with the fabrics you have chosen and your completed center wreath block.

Supplies for Side Panels

To keep a flowing curve, I decided to cut my vines directly in the shape you see, not using the bias strip method. Feel free to use the method that works best for you.

 

Fabrics choices for flowers

Cutting Instructions for Side PanelsLeaf and circle samples

How-To's- Side Panels

Panel 1(A)          Panel 1(B)

Okay! You are halfway there! I will show you tips on Side Panel 2(A) and (B) next month. Be sure to share photos with us on our SHWS Facebook page and I will pin them to our Quilt-Along Pinterest Board!

And the winner is…

Congratulations to Mary Helen of Oregon for winning Annie’s Pouch Pattern in Laura’s post last week!

Have a great week!

Signature Cropped

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