Don’t You Just Love it When Quilt Blocks Fit Together?

Theme and border fabrics for baby hexie quilt:  Wee Wander by Sarah Jane for Michael Miller Fabric. (click image to visit Sarah Jane)
Theme and border fabrics for baby hexie quilt: Wee Wander by Sarah Jane for Michael Miller Fabrics. (click image to visit Sarah Jane)

Hello. Yes, I’m still in project-making mode here and have just completed a baby quilt for the daughter of family friends that I’d love to share with you. Initially, I thought I’d go full Modern, but her mother’s words uttered years ago rang in my memory, “Rebecca is such a girly girl.”

Somehow minimal stripes and lots of quilted negative space weren’t suitable for her, especially with the naïve and pretty prints I’d selected for the baby quilt. I’d cued their selection on a preview photo of Rebecca’s freshly painted nursery.

A Pinterest tour (yes, again, I turned to that dazzling output of creativity) yielded good inspiration, but nah, I didn’t bite. For some reason hexagons piqued my interest, plus they are fun and current. I had so much fun making a Kaffe Fassett hexagon quilt last year that I decided to pull the book from my shelf and take a look. Okay, I felt a shiver of excitement—that was a good sign. If I reduced the number of hexies I figured I could execute a sweet little quilt.

Assembling hexies--opted for an inset detail with the setting triangles for a playful touch.
Assembling hexies–opted for an inset detail with the setting triangles for a playful touch.

Little did I know that “why not?” decision would set me off on one of the best quilt-building weeks I’ve experienced in ages. I had a blast because the pattern assembled like a dream and the cotton/linen fabric combination I’d selected made for perfect pressed seams with my brand-new iron. (Had to trash the old one because it sparked and burned me—fair warning: make sure your iron cord is intact, not worn to bare wire!)

Pressed like a dream--classical sewing technique suggests the reverse side should match the front in execution . . . maybe I had one of those moments?!?
Pressed like a dream–classical sewing technique suggests the reverse side should match the front in execution . . . maybe I had one of those moments?!?
Stained glass view:  back lit finished quilt top.  The insets of the setting triangles illuminated.
Stained glass view: back lit finished quilt top. The insets of the setting triangles illuminated.

As a technical sewer I’m typically a bit haphazard. Now I don’t mean to say that I’m sloppy, I just don’t always end up with a full set of perfect blocks and my quilt tops might have some squirrely matches as a result. Not so with the baby hexie quilt:  aren’t those points delicious?

Sewn with care, this Kaffe Fassett pattern builds perfectly!
Sewn with care, this Kaffe Fassett pattern builds perfectly!
Detail view of the long-arm quilting of Cyndy Rymer.
Detail view of the long-arm quilting of Cyndy Rymer.

I delivered the quilt to the new parents this past Saturday and met tiny William, a perfect little sweetheart of a baby boy. Very manly! Parents and grandparents are over the moon with his arrival—although the novice mother and father could do with a good night’s sleep! Oh I remember that well . . . one groggy night I got lost on the way to the nursery right next door to our bedroom!

Mini hexie quilt label made with scraps.
Mini hexie quilt label made with scraps.
Ready for delivery along with Woodland Bunny by Jellycats--I've got my own Jellycat puppy standing guard by my sewing machine (yes, small obsession!).
Ready for delivery along with Woodland Bunny by Jellycats–I’ve got my own Jellycat puppy standing guard by my sewing machine (yes, a small obsession!).

Isn’t it fun to share quilted love with a new generation? Check back on Friday for the next installment of the Blackbirds & Blossoms Oh-La-La! Quilt-Along–it’s time to finish up the quilt top! Type “Quilt-Along” in the blog Search bar to find the prior installments–also refer to the Pattern library for instructions.

 

Jennifer Signature

 

Infinity Edges in Quilts: The Delights of Faced Binding (Giveaway too!)

My freshly finished version of Kaffe Fasset's "My Fair Lady" quilt from xxx.
My freshly finished version of “My Fair Lady” from “Kaffe Fasset’s Quilt Road.”

1-Giveaway IconJust when you thought you had all the elements of quilt making nailed down, there’s another very cool, fun, and mod finishing detail to explore:  ooh, the delights of faced bindings! Sure, there’s nothing actually all that new “under the sun” in quilt making other than technology, but there are techniques that ebb and flow with fashion. Right now, faced binding is trendy even though it’s been a standard sewing technique forever.

My blogging sister Darra pointed me toward faced bindings several years ago for a stylish finish to an Asian-inspired quilt that I was making. She suggested Kitty Pippen’s Quilting With Japanese Fabrics, a quilting classic published by Martingale & Company, for the instructions. (Giveaway details below!) Of course, I still use a traditional binding, but the faced method has been very suitable to the style of quilts I’ve been making recently. Sometimes, a quilt design is incompatible with the “hard” edge of a traditional binding and requires something expansive. I’d describe a faced binding as akin to an infinity-edged pool–it’s visually limitless.

So, shall we look more closely at the application of the technique with a couple of quilts?

Faced Binding With Prairie Point Accents:

Background detail shot of faced binding with prairie points. My version of "The Seasons" from Doughty/Fielke's Material Obsession 2.
Detail shot of the back side of a quilt with faced binding and prairie points.
Detail view of quilt back with faced binding and prairie points.
Detail view of the front side of a quilt with faced binding and prairie points.

Here’s the completed quilt–you may remember my post about a group quilt that took a major effort to complete.

My version of "The Seasons" from Doughty/Fielke's Material Obsession 2--love, love, love the addition of the prairie points.
My version of “The Seasons” from Doughty/Fielke’s “Material Obsession 2.”
I love, love, love the addition of the prairie points!

Invisible Faced Binding:

Here’s a clever binding approach from my friend Kim Butterworth.  She had enough backing fabric left over from trimming her quilt to create “invisible” faced binding. Look closely: she matched her quilt backing and faced binding perfectly.

Invisible faced binding on Kim Butterworth's quilt.
Invisible faced binding on Kim Butterworth’s quilt.

Classic Faced Binding:

If you’ve been following my recent quilt-making adventures here and here, you’ll know I’ve been tackling a Kaffe Fassett quilt that’s been languishing in my UFO pile. I’m happy to tell you that I’m minutes away from finishing that quilt. It simply lacks a label, but I’m alternating working on that little detail and this blog post. Deb McPartland, one of my very fave long-armers, quilted the top in a classic “Orange Peel” design with variegated yellow thread. I don’t like high-contrast quilting on white fabric, and so the light, sunny colors of the thread were perfect for adding texture without diminishing the impact of the wildly colored hexagons. I wish my photos could capture Deb’s wonderful craftsmanship, but alas, I can only show you fragmented views for the details. Thank you Deb!

My quilt is destined for my dear Floridian friend from high school days (mentioned in a prior group post as needing a quilted hug), and thus my slightly eyeball-burning choices of backing and batting to suit sunshiny climes.

Backing fabric shown on left, faced binding is the umbrella fabric and the accent triangle in green/blue polka dot.
Backing fabric shown on left, faced binding is the umbrella fabric and the accent triangles in green/blue polka dot.

I’m not going to detail the faced binding technique in this post because, if you wait just a short time, the June issue of The Quilt Life will feature a excellent how-to from Ricky Tims along with an added embellishment of triangle corners, a technique I picked up from a friend who picked it up from another friend, etc. It’s a fabulous design twist, but I haven’t a clue where it started.

Here’s the finished binding:

Completed faced binding with accent triangle.
Completed faced binding with accent triangle.

And here, a partial view of the front, back, and faced binding in one photo:

The many design elements of "My Fair Lady" in view:  finished quilt with completed faced binding and machine-quilting in "Orange Peel" by Deb McPartland.
The many design elements of “My Fair Lady” in view: finished quilt with completed faced binding and machine-quilting in “Orange Peel” by Deb McPartland.

Here’s the quilt in its entirety (sadly, not a great photo, but you get the idea):

Quilt-J:  "My Fair Lady" from Kaffe Fasset's Quilt Road

Time to add that last, critical detail, the label:

Quilt-J:  Quilt label

Giveaway Details Here!

Here’s something wonderful:  Martingale & Company is offering Kitty Pippen’s classic Quilting With Japanese Fabric as a giveaway. (Remember, she’s got a great technique for faced bindings described in the book.) The title is now being offered as an eBook so if you’ve got the technology, you’re in good shape. You know the giveaway drill:  comment by Thursday, April 18, for the drawing and I’ll announce a winner in my Friday post.  Here’s your question: Have you or will you finish a quilt with faced binding?

Later, gators! JenniferInspiration-J: Boston