Not too long ago, I had the opportunity to catch up (via phone) with Georgia Bonesteel, a quilting friend from North Carolina. Among many other things, Georgia is a member of the PTA (Professional Textile Artists) whose Inspired By exhibit I wrote about in a previous post. In the course of our conversation, Georgia mentioned a book…and as soon as I heard the title, I knew I needed to investigate: A Perfectly Kept House is the Sign of a Misspent Life by Mary Randolph Carter.
It didn’t take too much “investigation” to decide that this book was a must-have for me: a big (272 pages!), beautifully designed hardcover, packed with juicy photos and delightful, descriptive text. Yes, it was a wee bit pricy, but I saved my pennies and treated myself. Well worth it: I’ve already spent many enjoyable hours poring through its yummy pages.
Now, I pride myself on keeping a (reasonably) tidy house, and for many years, my sewing room was tidy, too. Too tidy. In fact, keeping that room neat and orderly became an end in itself…and a good reason for not starting anything new. Oh, I made stuff, but it was always safe, and planned, and able to be cleaned up at the end of the day, even though I was lucky enough to have a space that I could close the door and walk away from.
When I launched my “year of creativity” at the beginning of 2012, I was still fairly conscientious. It didn’t take long for me to discover, however, that unbridled creativity is MESSY and, in the sewing room, that’s not such a bad thing!
Having my materials, inspiration, and “experiments” in view spurs–rather than stifles–my creativity. I’ve always kept an “idea file” of clippings, postcards, and other images tucked away in a drawer…but I’ve discovered that they’re much more inspiring to me when I can actually see them.
Sometimes an image (or series of images) will prompt an idea that is not quite ready for action, that needs some time to “percolate.” (BTW, I got that expression from Libby Lehman, one of the most creative–and organized–people I know!) When that happens, I find it immensely helpful–and stimulating–to collect related images, fabrics, embellishments, and threads in a little vignette that I can live with for a while, and that I can add to, shape or “edit” until the idea has had time to mature. Then, when I’m ready to begin, the nucleus of the project is already in place. My confidence is high and the fear factor is minimized.
I can’t tell you how much my creativity has blossomed since I let go of my need to “control” my mess. In fact, in all my years of working with fabric, the past six months have probably been the most exciting and prolific of my entire life. Since January 1, I’ve kept a journal dedicated to chronicling my creative journey. I knew I had turned a corner when I wrote on February 10, “Another sign that I’m moving in the right direction: I’m starting to discover threads on my clothes and little snips of fabric on the floor in other parts of the house.” Now it’s an everyday occurrence!
I realize that not everyone has the luxury of a dedicated sewing space. (Mine is actually only “semi-dedicated.” I’m forced to clean up some when we have overflow houseguests.) I also know that we all have different levels of tolerance when it comes to–well, clutter. That’s OK. I just encourage you to ask yourself honestly if neatness in your creative space is truly your nature…or if it’s just a mask for procrastination and fear (as it was so long for me.)
Maybe you’d like to loosen up a bit, but aren’t quite ready to go off the deep end. Here are two books that deal with organization, but with the creative person (and all that entails) in mind. The first is an old favorite: The Creative Woman’s Getting-It-All-Together at Home Handbook by Jean Ray Laury.
The second is Organizing for the Creative Person: Right-Brain Styles for Conquering Clutter, Mastering Time, and Reaching Your Goals by Dorothy Lehmkuhl and Dolores Cotter Lamping, C.S.W.