We’ve got a special treat today at SHWS: Gwen Marston is in the house! Yup, she’s going to review her latest and greatest quilting title, Minimal Quiltmaking. Sure, it’s unorthodox having an author write her own book review, but why not? She’s Gwen Marston and she’s super fabulous! Scroll to the end of the post for giveaway details–here’s a hint: enter to win a copy of her new title.
Hello everyone! I’ve been invited to write a review of my new book Minimal Quiltmaking so let me say right upfront: it’s going to be very favorable!
It’s always a thrill when I get to see a just-off-the-press copy of my latest book for the first time. In the case of my most recent book, Minimal Quiltmaking (AQS Publishing, 2014), I couldn’t have been more pleased. Reviewers are calling it “beautiful” and I have to agree.
I’ve always been the “less is more” girl, preferring straightforward, uncluttered design so keeping it simple, aka minimal, is my natural default setting. This book includes both examples of my early minimal work and more recent pieces as well. It also includes the exciting work of twenty-two contemporary quilters (some are also quilt teachers) from across the country. I was so very pleased to be able to include their work in my book because it adds an indispensable flavor that makes it all the more tasty.
The book (95 pages, $24.95) has lots of full-page color pictures of the quilts and is packed with design and construction tips on how you can make your own original quilts without patterns using my “liberated”, intuitive, free-pieced methods. So, let me show you some of the quilts in my new book.
Discovering Lancaster Country Amish quilts in the early 80’s set me off on a virtual tangent of making quilts in that style as a way to understand the Amish sense of design and use of color. It also taught me the value of working with solid fabrics, which I’ve continued to do to this day.
ONE PATCH, made in 1990, was the first in a series of thirteen minimal quilts, all shown in the book, inspired by the Scottish architect Charles Rennie Mackintosh (1868-1928).
I have a chapter about Hard-Edge Quilts, inspired by a California art movement from the 1960’s called “hard-edge painting”. MINIMAL COMPOSITION is in that chapter.
I talk about the process of designing minimal quilts, how to apply the principles of minimal art to create your own distinctive work, and give suggestions on where to find inspiration for working in this style.
And to whet your appetite, here is a small sampling of the stunning quilts made by made by contributing quilt artists included in the book.
SPLIT CHERRY, by Marjorie Tucker, from Boston, Mass, and MINIMAL PURPLE, made by Kristin Shields, from Bend, Oregon, are both contemporary quilt artists and teachers who have their own style and definitely know what they are doing.
Giveaway Details Here!
Leave a comment by Thursday afternoon, June 19, answering the question: What’s your quilting pleasure: less is more or more is more? I’ll announce the winner of an autographed copy of Minimal Quiltmaking by Gwen Marston in the Friday post. We’ll also take a look a more quilts from Gwen’s new title and revisit retired blogging sister Darra’s past posts on Gwen’s quilting style.