I hope you have been following the past few weeks with See How We Sew, as we continue to explore quilt block design. Laura passed the baton on to me this week to see what I would do with the Tumbling Diamond Block that she found in one of her old favorite quilt books, The Quilters.
Before getting started – can we just take a moment to appreciate Laura’s knowledge and instruction in her posts the past 2 weeks? I learned so much! I hope you did too! And what about the cool design created when she used the mirror to show her block in repeat? Just saying . . . it was a real eye opener for me. If you missed her posts, take a moment to go back and catch up on all the fun:
I loved the fabrics Laura chose for this challenge. But, I was drawn to the very minimalist block in the second row of the inspiration quilt. So, I decided to add solid white to the combination to help achieve that same feel.I guess you could call today’s blog post, Tumbling Diamonds Part 3, The Sequel, or maybe even Technical Block Design Goes Rogue. I began as I often do – by cutting and sewing a few curves, kind of like a little bit of warm up to get me started. If you are interested in learning this technique, check out our video, Cutting and Sewing Curves Tutorial.
I followed Steps 2 and 3 of Laura’s instructions to construct my diamonds. By adding the curved strips, my diamonds took on a life of their own, though. I see this as a good thing – I want to focus on movement and a whole lot of wonky direction.
I knew that the block needed to be completely improvisational to obtain this. My challenge was, how to keep the free form construction when the original block had so many angles and y seams? It just wasn’t as obvious to me as deconstructing a Nine Patch or Log Cabin would be. I decided that the answer was to construct my block in three respective rows, which would allow plenty of room to emphasize those wonky angles to my diamonds.
Once I created my three rows, the next step was to attach them. Remember my warm-up excercise? I went back to cutting more curves, this time, the angles of the diamonds dictated the shape of my curve. This made it fairly simple to attach the three rows.
The busy print added a lot of movement, but the border was not exactly what I had in mind. This is where I went a little rogue. I wanted to think outside of the box on this re-design and here it is. . .
Why not trim the busy print down to 1/2″, then turn it under to look almost like a binding? Just enough to show a peak of the busy lines in the fabric.
Then finish as an applique block with a background block. By doing this, the block takes on a totally different look, depending on the background choice. It also keeps the wonky movement that I was trying to achieve. Which one do you think works the best? Leave a comment and let me know!
That was fun, Laura! I guess I need to come up with a challenge to hand off to you next time.
In the mean time, Carol Van Zandt has had her camera out and taking photos of all the wonderful quilt events that have been happening in our area. We will be sharing the links over the next few weeks. Be sure to check out her blog, The Plaid Portico for a lovely photo post Freddy Moran at Quilting in the Garden.
Have a great week and keep on quilting!