We have had a bit of a delay in getting our video up and running this week. Fingers crossed it will be ready for viewing next week. In the meantime, I want to share with you two exciting events happening in our area. In an effort to provide those of you not able to attend these shows with some beautiful images, I am attaching a link to Carol van Zandt’s blog. Carol, as you may know, is our roving photographer and captures some beautiful images from the many quilt shows and events she attends. Please enjoy Carol’s post, Kawandi Adventure: Quilts by Margaret Fabrizio.
2015 QUILTING IN THE GARDEN – September 26 & 27 at Alden Lane Nursery, Livermore, CA
Those of you in the San Francisco Bay Area, please remember to join featured artist, Freddy Moran, guest artist, Sally Collins and our local celebrity Alex Anderson at Quilting in the Garden at Alden Lane Nursery in Livermore. The show runs from 9-4 on Saturday and Sunday, September 26th and 27th. The beautiful old majestic oak trees provide the perfect quilt hangers for hundreds of original works of art.
The time has come, the time is now: exit Jennifer, stage right. Thank you very much for joining me on my See How We Sew journey. I absolutely will miss our collaborative blog and the boundless creative energies of Laura and Pati. Do consider joining me at Chasing Bright Shiny Objects, you are most welcome!
It’s inevitable really, the road to learning the quilting craft always passes through Amish Country at some point. While modern quilters may point to the Gee’s Bend quilt exhibition as a clarion call to explore quilt making, Amish quilts also cast their lure with minimal design layouts and vibrant coloration.
Urban and Amish Embraces a Hallowed Tradition and a Modern Aesthetic
Author of Urban and Amish, Myra Harder, comes by her love of Amish quilt making from childhood exposure to the Amish community of Lancaster County, Pennsylvania. Myra’s Canadian parents moved the family to Lancaster County and lived there for several years before heading back north. The time spent in that rural fastness had a strong impact: Myra’s mother learned quilt making from the Amish women and Myra spent many hours playing with Amish children and learning about their mode of life. Later, when Myra took up quilting, it was an Amish Pineapple quilt displayed in a Lancaster, PA shop that set her on her quilting journey. Myra is a twenty-year veteran of the textiles and quilting industries and attributes her fascination to an ancestral calling “to the cloth,” so to speak, as her family traces its roots to Moravian cloth traders in early colonial history.
Urban and Amish brings together two of Myra’s abiding interests: the Amish quilting aesthetic and the modernist trend in contemporary quilt making. Her tactic is to juxtapose them in 8 duets of quilts: one faithful to Amish tenets of quilt design, and the other, a modern riff on the theme block. The result is 16 quilt projects that can be tackled by all skill levels. The challenge, of course, is in the execution which is something she addresses in her book: color palettes, print or solids, scale of design, deconstructing blocks. It was interesting to learn that Amish color schemes are specific to each community–Lancaster County quilts do not use black as the darkest hue, navy is the preferred color. (That’s a factoid I’ll store for future use!)
Myra Harder’s Urban and Amish is available now through Martingale & Company. Visit the publisher’s website for additional information about the book and author. Ah, don’t neglect to scroll to the bottom for giveaway details–you could win an Urban and Amish eBook from Martingale!
Antique Ohio Amish Quilts from the Darwin Bearley Collection, San Jose Museum of Quilts & Textiles
Staring November 15, 2014, and running through March 1, 2015, the quilt museum in San Jose, California will host an exhibition of more than 40 quilts from the Bearley collection. The quilts range from doll to bed-sized and cover a timeline from 1880 to 1940. The provenance of each quilt is fully documented with the story of the maker, recipient, and the dealer(s) who found the quilts.
Amish: The Modern Muse at the San Jose Museum of Quilts & Textiles
To coordinate with the exhibition, the museum issued a challenge to Bay Area modern quilt guilds–East Bay Modern, Bay Area Modern, and South Bay Area Modern–to interpret the Amish style in a modernest vein. The juried exhibition will run concurrently with the Antique Ohio Amish Quilt show. Quilt artist Joe Cunningham will select the quilts that best represent a 21st century interpretation of traditional Amish quilt making. Of course, our resident modernist and guild member, Pati Fried, has a challenge contribution and she’s giving us a peek!
Giveaway Details Here!
Martingale & Company has kindly offered an eBook version of Urban and Amish for a lucky winner. Leave me a comment by Monday, October 13 and I’ll announce the winner in the Tuesday post on the 14th. Here’s your question: Why the hoopla, aren’t Amish quilts already modern?
Later gators, gotta go make another quilt–modern, but not Amish . . .
I met Lisa Fulmer ofLisa Liza Lou Designs through a mutual friend quite a few years back. “You have got to meet Lisa, you two have so much in common,” she told me. We became Facebook friends long before we actually met, and I finally tracked the busy girl down at one of The Craft and Hobby Association shows to have a face-to-face meeting. I admire her tremendously. She is constantly astounding me, not only her creativity, but with her craft-industry knowledge and savvy social media skills. So, it is no surprise that she has a new book, Craft Your Stash. I attended a book release party last weekend for her fabulous book and took some photos of her always fun and imaginative creations.
As I come from a graphic design background, I am always excited to see how artists use print materials to express their style. Let’s just say that Lisa totally rocks in this arena.
Not only does she take full advantage of her crafty skills, she also adds personality to her projects with her tools! Check out her playful round business cards made from a die cut machine–I want some of my own!!!
Oh, and did I mention she is witty?
So now that I have introduced you to Lisa Fulmer, be sure to visit on Friday when we are a stop on the Craft Your Stash Book Tour !
Just a quick reminder that Quilting in the Garden at Alden Lane Nursery is happening this weekend, Sept. 27-28 from 9-4. If you are in the area or looking for an inspirational day-trip, I encourage you to join us. You won’t be disappointed. Click here for information and directions.
The quilt show will be wonderful, with over 250 works of art hanging “clothesline style” from the majestic, old oak trees. Quilts include those made by yours truly and my dear friend Diana McClun, Jean Wells and the Quilts of Sisters, Oregon and several others made by local quilters.
As lovely as the show is, I’ve always felt that it is the icing on the cake. The gardens, nursery, and gift shop are like none other. It is a dangerous shopping experience as I always find several treasures, perfectly timed for early holiday shopping.
Please, please join us and be sure to stop by to say hi. We will be located under one of the large oak trees. Also keep an eye open for one of our local celebs, she may be hiding among the garden art!
Ahh, apples and pumpkins and baking, oh my! Happy Fall everyone.
I think the downside of keeping many balls aloft is trying to launch another one without creating mayhem. That’s probably why quilting classes and retreats are rare for me: they are difficult to slide into my routine. Although when they do pop up, I like to park those pesky balls and immerse myself in the experience.
That’s just what happened about a month or so ago when I went on a road trip with my compulsive quilt retreater friend Cyndy Rymer. We steered a course southward to the Monterey Coast for the last session of the 2014 season of the Empty Spools Seminars at Asilomar.
What’s not to love? Five days of quilting with a master teacher, camaraderie, seaside hikes, and, best of all, no daily grind at the office, no cooking, and no housekeeping! Perhaps I should stow those balls more often, but I can’t manage Cynderelly’s pace–she’s done +50 classes/retreats to my three!
She Came From the North Pole . . .
Cyndy and I elected to take Canadian Judy Farrow who offered a design class for our week’s immersion. Neither of us knew much about her so it seemed like a voyage into the unknown, which indeed it was . . .
Upon meeting Judy it’s all to easy to be deceived by her quiet nature and British reserve, but that would be a mistake. She’s spirited, passionate, and very funny. Still, it was surprising to learn that, some 40 years ago, Judy and her husband left comfortable Montreal to teach high school on Baffin Island, a remote and frigid Canadian island that straddles the Arctic Circle. While there, Judy and husband Malcolm travelled extensively by dog team and hunted seals to feed them! These days, after three decades in those northerly climes, she’s ensconced in more-temperate Vancouver.
That arctic imprint is unmistakable, especially in her most-renowned quilts, and has served as the starting point for her evolution as quilt artist. (Remarkably, Judy learned the craft from home study of Laura’s curriculum outlined in Quilts!Quilts!!Quilts!!!) Nowadays Judy’s quilting vernacular is very broad and inventive, although still rooted in inspiration from the environments she has encountered.
At Work and Play by the Seaside
While communing with a teacher is the major part of the Empty Spools experience, sharing a classroom with a unique set of fellow quilters is the other side of the equation. It’s at once exhilarating and humbling to experience the aesthetics and skills of other quilt makers. It’s also liberating to hitch a ride on another’s point of view and see how she might tackle the same design exercise.
Another Empty Spools feature is the Artist-in-Residence program. Gail Abeloe, owner of Back Porch Fabrics in Pacific Grove, just down the road from Asilomar, wrapped up the 2014 program with an opening night talk and exhibition of her work. The rest of the week Gail repurposed orphan blocks from her past projects and created brand new quilts. I slotted in daily visits to Gail’s workstation in the main hall, just across the way from Carolie Hensley’s pop-up quilt shop, to see her progress. Wow! It certainly helps that she has the best stash ever (quilt shop owner–duh!) and a superb eye for color.
Probably the hardest part of quilting by the sea is ignoring the call of the surf, especially when the sun is shining and the breeze carries that salty tang. On “good” days, Cyndy and I walked the shoreline morning, noon, and night, but sometimes we just couldn’t fit in a third stroll what with class work, making friends in the dining hall, and checking out the evening programs offered by Empty Spools. Although, once we experienced one sublime Pacific sunset, we were hooked for the rest of our stay. See my sunset photo essay below. Three consecutive nights of the setting sun: same time/same place–each distinct.
Here’s my parting thought about quilt retreats–go when you can and, if Empty Spools is on your horizon, do it!
p.s. Did I forget to mention the picturesque town of Pacific Grove, just a mile or so down the road from Asilomar? Well, it’s eye candy central for many reasons, among them: Kidwell’s Paint.
Our peach and pear trees are blossoming; California golden poppies are in early bloom; the local birds with bright, fresh feathers are singing and searching for nesting spots; and the papers and catalogs are replete with full-color Spring fashions. Yes, it’s that time of year . . . time to shed winter wear and don lighter, brighter plumage.
Why stay at home when there is so much Spring energy and excitement beckoning us to get away and enjoy our sunny weekends? This weekend, March 22-23, if you are in the San Francisco Bay Area, and/or the wine country of the Napa and Sonoma valleys, consider browsing one or both of two spectacular quilt shows.
The East Bay Heritage Quilters are presenting Voices in Cloth 2014: Extraordinary Quilts by the Bay. The show is being held at the Craneway Pavillion, 1414 Harbour Way South on the Richmond Waterfront. Click here for hours, ticket prices, and directions as well as a list of vendors, artists, and demonstrations. There will be over 200 exciting quilts and garments displayed. EBHQ always stages an inspiring show so be sure to allow enough time for shopping after taking in all the beautiful quilts.
For those who want to head northward from San Francisco, I will be the “Featured Artist” at the Sonoma Q.U.I.L.T. (Quilters United in Loose Threads) show. Started in 2003, by a group of local quilters who wanted to show off their work, this smaller show is a fun stop on the quilt show circuit. It’s early moniker, Sonoma’s 1st Occasional Funky Quilt Show and Sale, gives you a sense of its free-spirited style.Sonoma Q.U.I.L.T. takes place at The Vintage House, 264 First Street East in Sonoma, CA. There is so much to experience in Napa and Sonoma so why not combine the show visit with a bit of wine tasting, dining, or even taking a balloon tour? Click here for a calendar of events taking place in the area. (And, stop by and say “hello,” I’d be so happy to visit with our SHWS readers!)
Hope to see you at one of the shows! If not, enjoy a lovely weekend filled with fun and inspiration.
At one time or another, I suspect we’ve all had the experience of meeting someone new and feeling that immediate “click” of connection–the perfect description of my first encounter (in 1989!) with legendary and beloved Michigan quilter, Gwen Marston.
I wrote about Gwen, her then most-recent work, and her wonderful book, 37 Sketches, in a post back in January 2012. It’s a tribute to Gwen’s enduring popularity that this post remains one of our all-time, most-often viewed here at See How We Sew. Now, two years later, I decided it was time to check back with Gwen to find out what’s new. The answer? Lots!
First up: Gwen Marston, Contemporary Quilts, a solo exhibit at the Dennos Museum Center in Traverse City, MI. This exhibit runs through April 27 and includes work that Gwen has created in the past eight years, in which she continues to simplify, to melt the elements down to their most basic forms, allowing the color to speak in a stronger voice. Some of the pieces are the Small Studies from the aforementioned 37 Sketches (2011).
Still others reflect Gwen’s ongoing explorations, in which she pushes even further, working in a decidedly minimal style. This fresh, exciting, stripped-down approach takes center stage in–more news!!!–Gwen’s brand-new book, Minimal Quiltmaking, scheduled for publication by the American Quilter’s Society on March 1!
Wouldn’t you like to be first among your friends to own Minimal Quiltmaking? Well, it happens that we’ll have a copy to give away to one of our readers as soon as the book hits the shelves. Just leave a comment by noon (PST) Thursday, February 20, telling us whether you consider yourself a “minimalist” or “maximalist” quilter (for example, in style, size or variety of your fabric stash, reliance on notions, degree of advance planning) and I’ll announce a winner in my Friday, February 21 post.
Finally, here’s a special treat! The Dennos Museum Center has placed Gwen’s entire presentation from the exhibit’s January 18 opening reception on YouTube. Watch and enjoy!
That’s it for now. ‘Til next time, happy stitching!
In Japan, the Hari-Kuyo ceremony is held throughout Japan annually on the 8th of February. This 400-year-old tradition is held at Shinto Shrines and Buddhist temples as a celebration of the small tools used by seamstresses, embroiderers, and housewives over the previous year.
It is believed that these inanimate objects have souls and by using them, some of their pain is released. Broken or worn needles, pins, and some small scissors are brought to the ceremony and thanked for their good service in creating sashiko, kimonos, or even for daily mending. Then they are gently laid to rest in a soft tofu cake.
Tofu is symbolic in this instance for rest and tenderness; a peaceful place for the tools retirement. In observance of the ceremony, no sewing is to take place on this day, as this gives time for reflection and time to pray that sewing skills improve the following year. Audrey Yang tells of the ceremony in a beautiful online booklet- Hari-Kuyo: Festival of the Broken Needle.
I found paying my respects and praying to console my broken needles a wonderful opportunity to share in a time honored tradition . I spend so much of my day with needle and scissors in hand. It was a moment to reflect on my year as a quilter and to be thankful of the accomplishments made with these tiny tools. I have always tossed them away without regard to their importance to my craft. This was an opportunity to change my thinking.
The ceremony was thoughtful and welcoming. Birgit Hottenrott, the driving force to celebrate Hari-Kuyo at Stitch Modern, shared the history and lore that has evolved with this special day. While she spoke, many brought their broken needles to rest in the peaceful bed of tofu. Birgit ended the ceremony with the lovely poem by Emily Dickinson, Don’t put up my Thread and Needle.
Thank you Birgit, for bringing this lovely tradition to our attention. As this year proceeds, I fully intend to keep a special place for retiring my used needles until February 8, 2015, when I will again, pay them the respect they deserve and celebrate Hari-Kuyo.