Happy Little Placemats – Easier Than They Look with a Video and Free Downloadable Pattern

Earlier this week, I wrote in my post, A Little Happiness with Cotton Couture Solids, about the latest project I have been playing with. My paper pieced placemats were created to tell a color story using Michael Miller’s great collection of solids. As you can see, no two are alike, which made my job soooo much fun. It was as if I were making 4 different miniature quilts!

Happy Little Placemats by Pati Fried for See How We Sew
As complicated as they look – once I got the hang of it, they were actually quite easy. I thought it would be fun to share with you the process, a few tips, along with a free downloadable for you to play with and create your own paper pieced project.

Photo Courtesy of Michael Miller Fabrics

Writing the instructions is definitely harder than making the actual project! I tend to work improvisationally, so it is always a challenge for me to translate my work into words. Since this is a free download, I am going to take a different approach today and simply talk you through the process – there will be more specific directions in the download.

So, put the rotary cutter down, grab a cup of coffee and let’s just walk through the steps together to make these little gems. I urge you give it a try, be open to experimenting and you will end up with your own unique creation.

You can print out the the free downloadable here:     Happy Little Placemats Instructions and Foundation Papers

I recommend printing them on a lightweight newsprint or specialty foundation paper. If you have never paper pieced before, Connecting Threads has a very thorough blog post on all things paper piecing. It also discusses the different types of paper to use.

My finished placemats are 12 x 18”, but both dimensions can be easily adjusted to make a pillow, tote bag, or whatever your heart desires.

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I chose 6 colors of solids in small cuts, a white “sashing” for impact, and gray for the final edge, face binding and backing. Experimenting with mixing solids and prints to get the look you want. That’s what this is all about, right? Playing!

I cut strips of each color to make the variegated stripes. Don’t let the printout scare you. It is actually quite easy and a great way to practice paper piecing. It takes a little time, but you will soon get a rhythm going and you will never more perfect 1/4″ piecing than this!!!

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Paper piecing is one of those things that makes a lot more sense as you go through the motions. Do it once and you will get it forever. Once the sheet is filled with your lovely piecing, follow the directions on the printout to trim the sections out to the correct widths and tips on how to extend the lengths.2015-03-31 08.18.57

Now that you have some practice under your belt, try your hand at the triangle designs. I suggest you cut a 3″ x 9″ wide strips of fabric to start. The size you need will vary with each design. After one or two passes, you will know how big the rectangles need to be. Remember, stitch and flip, stitch and flip. More directions are listed on the printout. Believe me, you will knock them out in no time. If you like one design more than the others, try repeating it in a different color combination. Mix and match for a new look.

Once all your strips are pieced, it’s time to play with your design!!! Yay! That should make you happy. If not, hmmmm, maybe you need to watch my video:

Inspired to finish now? Great! Line up the strips to your liking. The width of the solid strip in the center is determined by the amount needed to reach your desired width. This is where you might be happy to have a little extra length to position your sections where you want them.2015-05-03 12.01.47

Time to sew your little gems together. Here is a hint: leave the foundation paper on until you have sewn all the white sashing in place. It will help keep your lines neat and straight. I cut my sashing oversized, stitched one side in place, then trimmed to 1/2″. I then stitched the next strip in place. It worked really well and kept the wavy seams away. I also decided to insert gray as the last few on each end and then finished with a 2 1/2″” strip as my edge. 2015-05-05 12.20.03

I kept the quilting very simple, in the ditch and not too much of it. I chose a Faced Binding, so as not to distract from the design. For more on Faced Bindings, read Jennifer’s Round’s post Infinity Edges in the Quilts.

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And there you have it! Happy Little Placemats for you to brighten your summer table with. I hope you share your finished projects with us on our SHWS Facebook Page or catch me on Instagramunnamed (1)

As always, thanks for reading! Have a great weekend.

Pati

A Few Tips for Novice Garment Sewing

Wow! I have lots to share with you today!

It was so fun reading all the wonderful reader’s comments left on last Tuesday’s post, My Urban Tunic in Crossroads Denim. It became obvious to me that I am not alone in being apprehensive to make the jump from quilting to garment construction. Since I had such a successful run with my first project, I thought I would share a few tips I gathered from experienced sewists as I began my project.2015-03-16 09.32

1. Read through the direction thoroughly, until you totally understand the cutting and construction.

2. Prewash and press your fabric.

3. Transfer your tissue paper pattern onto a more permanent and manageable material such as Pellon. I used Red Dot Tracing Material and it worked great..

4. Make a muslin sample first. Ok, in reality, I made two, in two different sizes. Then combined the smaller top and larger bottom for my own personal, pear shaped pattern.

5. Find someone that understands garment construction to help tweak your sample for a perfect fit while you are wearing it. I was fortunate enough to have the incredibly talented Margaret Linderman pin and tweak, then cheer me on to the next step. Thank you Margaret!

6. You know the saying, measure twice, cut once? Well, here’s a new one for you – Gather the correct pattern pieces. Make sure you are following the correct cutting layout for the view or option you have chosen. Check it twice, then cut it once.

7. Take your time sewing. Read and follow directions carefully. Pin, yes pin, even if you think you don’t need to.

8. Take your time to press each seam neatly. Use steam or a pressing cloth when needed.

9. Practice any required topstitching on a scrap fabric first, before stitching onto your garment. You want it pretty and perfect the first time.

I am sure these tips would be obvious to someone that does a lot of garment sewing, but for me, it was definitely a learning process, so I needed all the help I could get!. Perhaps my list will save someone else a few steps on their first project!

Giveaway-GoldNow, as to our winner of the giveaway for the Urban Tunic Pattern by Indigo Junction. Congratulations to Jacqueline! You will be receiving your pattern in the mail soon!

Thank you to everyone else for all the wonderful comments. I wish I could send a pattern to each and every one of you.

If you live in the Northern California area, be sure to check out the East Bay Modern Quilters annual show, Stitch Modern 2015. Opening night is tonight, but there will be lectures, events and gallery hours throughout the month of April. Be sure to check out the calendar of events on their website: Stitch Modern 2015.

Shapes by Linda Hungerford. Check out her blog at Flourishing Palms.

Need a boost of inspiration? Hungry for some eye candy? – be sure to follow the links to Carol Van Zandt’s blog posts with more quilt photographs from Quiltcon 2015. They are spectacular!

Minimalist Design Quilts

Bias Tape Challenge

Handwork Category Quilts

 

 

 

I think that’s it for now! Have a wonderful weekend.

Pati

New Wedge Project Revealed

I just returned from a quick overnight getaway to one of my favorite places, The Monterey Bay Aquarium. My wonderful husband purchased “Behind the Scenes Tour” tickets for us to get up close and personal with the sea otters. The tour was spectacular, complete with fluffy baby otters. The tour was almost as good as the previous one we took last year on the jellies. I must admit however, the highlight for me was seeing the Giant Pacific Octopus on display in the newly installed Tentacles exhibit. What a fascinating and magestic creature!

Giant Pacific Octopus on display at the Monterey Bay Aquarium. Photo taken from the website at www.montereybayaquarium.org.
Giant Pacific Octopus on display at the Monterey Bay Aquarium. Photo taken from the website at http://www.montereybayaquarium.org.

Our final walk on the beach this morning gave me the perfect setting to photograph my new beach totebag. My vision for this project was to design a circular beach totebag that would double as a groundcloth.  I used the large 36 degree rulers to cut fabric wedges. I doubled alternate spaces creating pockets for holding some beach necessities, such as sunscreen, flip-flops, sunglasses and waterbottles. There would be enough space in the middle of the bag to carry your towel, beach coverup and bikini ; ).

Alternate wedges are doubled to create pockets for carrying necessary beach items.
Alternate wedges are doubled to create pockets for carrying necessary beach items.

I used Kim Andersson’s new Tidal Lace line by Windham Fabrics and our new Making Waves pattern as inspiration to create a beach ball design on one side of the tote. The opposite side is a solid piece of vinyl covered cotton fabric. Everything was running smoothly until I came to adding the casing to the outer edge of the circle. Notice the rippling in the casing? Ugh!

Here's a close up of my problem.
Here’s a close up of my problem.

I’m generally not one to encourage pointing out disappointments, but in this case, I think there are two valuable tips I can share here. First, since I was working on a circular design, the casing strips should have been cut on the bias to prevent rippling. I didn’t have enough of the backing fabric to cut bias strips, so thought I might get away with some wide straight-grain cut strips . . . WRONG! I know better than this ; ). Second, I didn’t have my teflon presser foot with me while sewing on the vinyl fabric. Stitching with my regular foot only contributed to the problem. In an effort to resolve the situation, I put some blue painters tape on the bottom of my regular presser foot. This works in a pinch but I highly recommend using a teflon foot for any serious  sewing with these fabrics.

Sooo, not being happy with the end result, I decided to cut off the wobbly casing and attach a new bias cut strip. Finally, I inserted some cording/rope through the opening to create a drawstring strap. Ready to insert all my gear and head off to the beach.

A calm grey overcast morning at the beach.
A calm grey overcast morning at the beach.

I found a comfortable spot, spread out the tote and began setting up with some goodies purchased in town . . . local wine and Ghirdadelli chocolates!

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While I was setting up, I noticed that one of the locals was keeping a close eye on me!

One of the locals on the beach this morning.
One of the locals on the beach this morning.

Goodbye Monterey, until next time!

Laura Signature

 

 

 

 

A See How We Sew Tradition: Our Top 10 Posts for 2014

Inspiration-J:  Xmas Tree

Hello dear readers! Hope the holiday season is  treating you well. We’re enjoying the closing days of 2014, and looking forward to all sorts of crafting and sewing adventures in 2015. You’ll remember that last year we shared our Top 10 Posts for 2013 and we’re establishing a New Year’s tradition by looking at our results for 2014 and sharing them with you.

Like last year, you favor learning about techniques, notable textile artists, and products:

  1. Patterns
  2. Walk Your Stitches Out of the Ditch
  3. 10 Things I’ve Learned From Hanging Out with Candace Kling
  4. Drafting Part 2:  Making an 8-Pointed or Lemoyne Star
  5. Candace Kling, Masterful Manipulator of Fabric & Ribbon
  6. Prewash or Not? Quilting’s Perennial Question
  7. Feeling Frantic?  Check Out These Last-Minute Goodies
  8. Gallery
  9. Soft & Stable:  An Alternative to Batting
  10. Creating Curved Pieced Blocks and Landscapes with Sue Rasmussen

Enjoy the waning days of our Winter holidays and do check back to see what we have in store for 2015!

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Confession of a Fabric Fanatic & a Giveaway

Ok, I admit it, I have way too much sewing and quilting stuff. What can I say? I love buying the latest fabrics, notions, and quilting books. However, I’m guessing that I’m not alone, as many of you who have been passionate and true to your craft are more than likely in the same boat. The reality is that there is more stuff than space conveniently allows. The big question is, what to do with all of it: continue storing it or find new homes for it?

Closet2

The recent challenging and painful experience of helping the son of a quilting friend clean out his mother’s sewing room has pushed me to deal with my stuff now. I don’t want anyone to have to go through the task this son is faces. A friend from the local guild and I went in and hauled it all out.

Now I have been collecting fabric, patterns, notions, books, and many other sewing and quilting-related things for over 30 years. I’m sure when I made the purchases I truly believed I would be using them in special projects . . . someday. Well, the reality is that many of those well-intentioned projects are still waiting to be started and, if my history tells me anything, it will probably never happen.

Starting to sort through a 30 year collection of books.
Starting to sort through a 30 year collection of books.

Fabrics have changed and so has my style. I’m looking at my collection with fresh eyes and have sorted everything into categories.

  1. What was I thinking? Time to find a new home for this one.
  2. I still love this fabric/book/tool, etc. and am not ready to pass it on. I will keep them.
  3. MUST keep this one, not that I ever intend to use it;  just has sentimental value so I plan to keep it forever.
This fabric was used in my wedding quilt that was made by my dear friends over 30 years ago. I will NEVER get rid of it.
This fabric was used in my wedding quilt that was made by my dear friends over 30 years ago. I will NEVER get rid of it.

After sorting through boxes, bins, bookcases, and baskets, I now have a pile of things that I am comfortable parting with. My suggestion is that, once you have designated it to the “find it a new home” box, don’t take a second look as you will more than likely change your mind.

I have been donating to local guilds for their outreach programs as well as to our local White Elephant Sale which benefits the Oakland Museum. I know they will both find good homes for everything.

Now that we are officially empty nesters, my husband has moved all of his collections into my newly married daughter’s previous bedroom. After 30 years in this business, I am excited to say I now have a dedicated sewing room.

After the sorting process is complete, it will be time to organize everything. I went to the IKEA website and found the perfect wardrobes (PAX System) to store all the keepers. It was actually pretty fun as there is a design program on the website that will allow you to move the parts around and put together a system that works best for your space as well as your treasures.

I’m excited to say that my cabinets arrived yesterday! Now, the fun, and the work begins. I’ll be busy the next few weeks with assembly and organizing.

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Hopefully next month I can share some photos of the results of my of my hard work.

Giveaway-GoldSooooo, IF by chance you were to receive a box of fabric (not too big, I promise), what style and colors would make you happy? Just asking ; ).

If you’re interested in sharing your wish, please leave a comment by end of day Sunday, November 2nd and I’ll see what I can pull together for you.

Now back to purging and organizing. This feels so good. If you haven’t yet, you might want to give it a try!

Laura Signature

Wool Blossom Pillow – Taking a Side Trip with Wool Applique & an Accent Pillow

While working on the original design for our Quilt-Along, Blackbirds & Blossom, Oh-La-La! we got excited about all the possibilities for small projects utilizing the quilt’s design elements. Laura thought a little wool project would be wonderful to try. I’ve been collecting wool scraps and thought this would be an ideal opportunity for me to explore wool applique. I volunteered and I’m so glad I did!

Jennifer showed a fabulous way of showcasing the center wreath in a mini project last month.  Here is my chance to utilize the design motif of the side panels in a wool applique accent pillow that I call “Wool Blossoms Pillow”.

Wool Blossom Pillow - Choose your fabrics

The first step was to sketch my design and choose a color palette and fabrics. I discovered a yummy raw silk that was screaming to be the canvas for all my wool. Since I really didn’t know what I was doing, it seemed less daunting for me to tackle the vine first, then move on to the flowers.

Wool Blossom Pillow - Draw out vine shape

I sketched out the vine design directly onto freezer paper, matte side up.

Wool Blossom Pillow - Draw in Sweeping Motions

Here is a hint:  when drawing curves, do it in a sweeping motion. I like to think of my arm as a giant compass, with the stationary point being my elbow for large circles, and my wrist for small circles.

Wool Blossom Pillow - Mark where your can splice

Since the flowers will be covering many portions of the vine, I gave myself hash marks to break the vine into smaller sections. This is especially helpful when working with small amounts of wool that you don’t want to waste.

Wool Blossom Pillow - Cut your pieces

Iron the shiny side of the paper to the wool. Being a wool newbie, I was a little nervous about taking an iron to it. I used a very quick press and no steam, just enough heat to adhere the freezer paper. In retrospect, a pressing sheet would be useful, but it seemed to work fine without one.

Wool Blossom Pillow - Iron onto wool

Trim out the vine shapes. Another helpful hint: mark your shapes and the direction they will meet up to each other. I didn’t–ugh!

Wool Blossom Pillow - Cut Panel

Trim your canvas panel–oh goody, back to that raw silk!!! I cut my panel over-sized and will trim it afterwards. My final pillow is to be 10 x 14 inches and so I added a few inches to each side.

Wool Blossom Pillow - Glue baste

If you are a pinner, now is your time to shine. Use tiny pins and pin often. Since I am not a pinner, I got out my trusty bottle of Roxanne’s Baste it Glue and dabbed just enough to adhere my pieces. It’s best to keep the edges free of glue. You will thank me when you whip stitch your pieces into place. 

Wool Blossom Pillow - Layout

Back to the freezer paper to create blossoms and leaves. In keeping with the improvisational process of our Quilt-Along project, I simply cut out a variety of circles and leaves  and “played” with where to place them on my vine. As we mentioned in the Quilt-Along instructions, layering, variety, and balance are the keys to a interesting design.

Wool Blossom Pillow - Audition fabrics

After deciding on a layout, I auditioned different colors of wool. My leaves were mostly the same green as the vine, with a few yellow and dark greens thrown in. The flowers were a dark red, orange, rose, purple, teal, very light green, yellow,  and ivory. Don’t ask how I came up with that. I just rummaged through my stash!

Wool Blossom Pillow - Glue baste flowers in placeI loved my design!!!

Wool Blossom Pillow whip stitch

Next, I whip stitched it into place with a matching, fine embroidery thread.

Oodles of thread

Then pulled out my crazy collection of threads that I use for Big Stitch projects and started choosing colors and weights that would work for some hand embroidery work.

Wool Blossom Pillow - add some embroidery

Did I mention I don’t normally do embroidery? Well hop over to my personal blog, Pati Fried’s Blog in a few days and see what I came up with for finishing this Wool Blossom Pillow!

Have a wonderful week and happy stitching!

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Lessons from the Mother of a Pinterest-Mad Bride-to-Be

My friend passed these along to me now that her wedding planning is behind her.
My friend passed these along to me now that her wedding planning is behind her.

 

Ahh, Pinterest: Is it a blessing or a curse? Events seemed so much easier thirty years ago when I was planning my wedding. When I looked for ideas and inspiration I simply purchased the current bride/wedding magazines to see what was in vogue. Today, with the popularity of Pinterest, the online pinboard, there are virtually thousands of photos arranged into categories. One can easily get lost for hours browsing through all the images.

My daughter is a very hands-on kinda gal and wants this event to reflect her creative esthetic. Her attention to every detail is admirable, but from my point of view, can be a bit daunting. I trust everything will be lovely and her hard work will yield a wonderful day filled with all the love and good wishes from her family and friends.

There are so many books and websites providing advice, but thought I would share a few lessons I’ve learned over the past several months. I hope they might be of some help for any of you who might soon be walking down this path.

  1. Start early. It’s never too soon to get started on those projects. Seems like the to-do list gets longer rather than shorter as the date approaches.
  2. Get organized and make check lists. It’s too easy to let some of the important details fall through the cracks.
  3. Don’t assume. Communication is important, right at the starting gate. Things have changed as far as who covers the expenses. Both the bride and groom need to talk with their respective parents and be clear on what the budget and/or contributions will be. This can avoid lots of confusion . . . trust me on this one.
  4. Lots of love and support. I had to constantly remind my self that this is not about me. I have had my day in the sun. I have learned to smile and keep many opinions to myself.
  5. Stay focused and have fun.  With many projects brewing all at once it can easily become overwhelming. A little down time, lively music or favorite movie playing can lighten the day.
  6. Don’t be afraid to ask for help. In our case, we invited the mother of the groom to help with some of the projects. Fortunately she lives nearby. Not only was she a huge help but brought us closer together and made her feel like part of the event.
  7. DSC03382On a personal note, this little bottle has been a miracle worker.  My nails have not looked this good since I was taking pre-natal vitamins, some 28 years ago ; ).  And finally, SPANX! Need I say more?

That’s it for today. I’ll be back next month, hopefully sharing some lovely photos. As always, thanks for being here.

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Time for Quilt-Along Panel 1- Blackbirds & Blossoms, Oh-La-La!

Row birdhouses

Panel 1(A) applique'Panel 1(B) applique'

It’s time for the next step of our Blackbirds & Blossoms Oh-La-La Quilt-Along! I’m hoping you’ve had lots of fun working on the center wreath over the past few weeks.

Panel 1(A) When Jennifer handed off her beautiful center block to Darra and me for the second round of our Quilt-Along, we decided to create whimsical vines on our 4 side panels. Darra had a sketch that we both agreed would be the stepping off point for the 4 panels. Sketch The first 2 side panels, Panels 1(A) and 1(B), are minimal in design, while the panels we will cover next month, Panels 2(A) and 2(B), are more layered and bursting with blossoms. The design process is outlined below. Links you will need: use the Patterns tab for instructions on the side panels, leaf and circle template and panel 1(A) and 1(B) appliqué sheets as reference for the shape of your vines. Also, refer to the split leaf tutorial for a decorative leaf.

Let’s start with the minimal designs first, Side Panels 1(A) and 1(B).

 Panel 1(A) applique'     Panel 1(B) applique'

I urge you to play with your fabrics and shapes to create your own original design that plays well with the fabrics you have chosen and your completed center wreath block.

Supplies for Side Panels

To keep a flowing curve, I decided to cut my vines directly in the shape you see, not using the bias strip method. Feel free to use the method that works best for you.

 

Fabrics choices for flowers

Cutting Instructions for Side PanelsLeaf and circle samples

How-To's- Side Panels

Panel 1(A)          Panel 1(B)

Okay! You are halfway there! I will show you tips on Side Panel 2(A) and (B) next month. Be sure to share photos with us on our SHWS Facebook page and I will pin them to our Quilt-Along Pinterest Board!

And the winner is…

Congratulations to Mary Helen of Oregon for winning Annie’s Pouch Pattern in Laura’s post last week!

Have a great week!

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Quilting Wisdom: Collected Thoughts from See How We Sew

Probably one of the nicest aspects of sewing arts is our tradition of sharing knowledge and expertise. As we absolutely love to spread quilt making, sewing, and crafting know-how, here’s a few lessons and insights picked up by your “quilting sisters” at See How We Sew:

Inspiration-J:  Thread

Best piece of quilting advice you ever got?

Darra: It was a quote I saw in American Quilter magazine, probably in the late ’80s, in an article written by Joen Wolfrom. In it she said: “A finished quilt which has no imperfections, artistically or technically, is one that was created within the quilter’s comfort zone. No significant learning will take place when we stay in this safe place.”

I had never met Joen, but this quote struck an enormous chord with me.  I copied it down and taped it on the wall of my sewing room. When I began to travel and teach, I carried the quote with me and read it at the beginning of almost every workshop.

In 1993, I found myself teaching at a quilting event in Northern Virginia. Joen was one of the other teachers. We connected almost immediately, and—over the past almost-20 (!) years—have become close personal, as well as professional, friends. To this day, I still continue to try something new—however small—with every quilt I make.

Jennifer:  My bit of gathered advice is really a visual lesson I picked up back in the days when I did Publicity at C&T Publishing.  I came across, to my mind, one of the most insanely compulsive quilting titles ever, Stripes in Quilts by Mary Mashuta. I was dumbfounded by the attention to striped detail she displayed:  every striped block or strip was fussy cut to the nth degree for perfect matches. The resulting quilts were masterful, but I seriously doubted I would go down that road with my own quilts. Ah well, the years pass, experience grows, and a sense of craftsmanship blooms. All told, that book delivered a serious lesson in respecting a fabric’s print design–I think, I look, and I plan before I cut!

Laura: I often find myself in a stuck spot with either color and/or design. Years ago I remember my co-author Diana McClun telling me that if I was not pleased with my design it was often a matter of value. I always keep this thought in the back of my mind and try to include a variety of light, medium, and dark-colored fabrics. When I remember to listen to this advice, I am always happier with the results.

Pati: The best advice I ever got came in the form of a question while I was stressing over perfect center points on very small Lemoyne Stars. “When you are finished, and it is quilted and sitting on your lap, will you really care if it doesn’t have perfect points?” I go back to this each time I am worrying over something–quilting-related or not!

Inspiration-J:  Thread still lifeFavorite quilt book(s) for inspiration?

Darra: Any of the Quilt National books. Other favorites include Fabric Gardens: An International Exhibition of Quilts at Expo ’90 (catalog for a Japanese exhibit that traveled to The Dairy Barn in Athens, OH), Patchwork Pictures (the work of British fiber artist Edrica Huws), Landscape in Contemporary Quilts by Ineke Berlyn, and Quilts in Bloom (Blumen der Mainau; catalog for an exhibit in Germany).

Jennifer: Anything by Ruth McDowell—she’s a genius after all. Kaffe Fassett’s early hardback books with the photography by Steve Lovi are among my favorites for eye candy, I like the newer ones as well, but the original ones set the standard.

Laura: I often start with either Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns or Jinny Beyer’s The Quilter’s Album of Patchwork Patterns. I enjoy tweeking and changing some of the traditional patterns to suit my needs.

Pati: The Ultimate Quilting Book by Maggi McCormick Gordon. I curl up on the couch on a regular basis with this book for historical inspiration. I also tend to go to Folk Art and Textile books for inspiration. One of my favorites is Ralli Quilts – Traditional Textiles from Pakistan and India by Patricia Ormsby Stoddard.

QQQ3 cover

Book that most influenced you as a new quilter?

Darra: Pieces of the Past by Marsha McCloskey and Nancy Martin was a big one for me. I collected antique quilts before I became a quilter, and have been very inspired by them right from the start . . . especially scrap quilts. I was also very drawn to The Scrap Look by Jinny Beyer, Calico and Beyond by Roberta Horton, and Threads of Time by Nancy Martin. There have been tons of books written on scrap quilts since, but I still go back to these classics, over and over. From the first day I started teaching, Quilts! Quilts!! Quilts!!! has always been my #1 recommendation for new quilters.

Jennifer: An old McCall’s series (1980’s) on quilting—my starting point—and then Quilts! Quilts!! Quilts!!! of course.  Imagine my surprise, the authors are now my friends!

Laura: Shortly after learning to quilt, I was fortunate enough to spend 5 days at a quilting seminar with Mary Ellen Hopkins. She taught out of her book It’s OK if You Sit on My Quilt. The book was chockfull of patterns and techniques. I wanted to make every one. The seminar and book inspired me to share my new found passion with others in the classroom.

Pati: Definitely, the first edition of Quilts! Quilts!! Quilts!!! by our own, Laura Nownes and Diana McClun. This was my first quilting book I had ever purchased. I referred to it so many times for myself or to teach others, that I wore it out!

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