As you may have surmised from my recent post series, I’ve been on a quilt-finishing kick lately. Do you know what’s better than finishing quilts? Giving them away, of course! I’m recently returned from a transcontinental quilt-delivery spree having surprised my high-school friend in Florida with that Kaffe Fassett hexagon quilt and celebrating my sister-in-law’s recent birthday with a scrappy jelly-roll quilt. (I’ve got styled shots of her quilt ready for my Friday post–stay tuned!)
What’s the reward for this frenzy of creativity? Ah . . . a refreshing trip to The J. Paul Getty Museum in Los Angeles where I had an encounter with my favorite still-life artist of a bygone age, Jan Van Huysum. As my “art” vernacular has grown over time, I find myself worshipping 17th-century Dutch artists. These are paintings I passed on for years as I delved into late 19th- and early 20th-century art when I was a tagalong to my mother’s museum visits. At that time, she was experimenting in Impressionist and Expressionist styles in her oil paintings–she segued to clay sculpture after that. My college years were devoted to Renaissance art following studies abroad in Europe and studying/living in proximity to the extensive collection of Old World masters at the National Gallery in Washington, D.C.
Although Vermeer’s been my passion for a long time, Jan Van Huysum’s incredible still life paintings are grabbing my attention now. It’s funny, I probably walked by a stellar Van Huysum in the National Gallery’s West Wing about a dozen times before I truly stopped and looked. Wow! While Vermeer opened my eyes to glowing natural light and capturing quiet moments, Van Huysum stuns me with his ability to capture the most perfect details in the play of light and shadow. His water droplets sparkle, his flowers are so alive they practically scent the air, his fruit beg tasting, and myriad tiny insects buzz, crawl, and flit in the artful, colorful, natural abundance.
I’m having a light bulb moment as I write this post: I started adding little bugs to my dimensional applique still life quilts after I had my Jan Van Huysum revelation at the National Gallery. (Also, Diana McClun’s husband prompted me to add a spider to my first buggy quilt.) How weird is that connection? And here I thought I was so clever!
So, did my obsession with photographing floral arrangements start with Van Huysum or am I obsessed with his still life portraits because I’m a flower girl? Whatever! Like every other blossom-mad quilter, I’m just going to enjoy the journey without excessive self examination. (Although I will visit every Jan Van Huysum painting I can find in France this summer!)
I close with a flashback image from my first See How We Sew post–yes, Jennifer is indeed possessed by a flower mania . . .
May your quilts and gardens bloom!
p.s. If you are near one of the museums on the national tour, do catch the Dutch masters exhibit featuring Vermeer’s Girl With a Pearl Earring.